Seven score years ago I too walked the Way from Burgos to Santiago de Compostela in Northern Spain.
Art in Place.”, curated by Juri Koll, Director of ViCA (the Venice Institute of Contemporary Art) opens Saturday, November 4, 2017 from 3 to 6pm. The exhibition continues through December 2017 by appointment and is located at the Newberry Lofts, 433 Pine Ave., Long Beach California 90802. Selected artists include KuBO, Renee Tanner, Gloriane Harris, Cosimo Cavallaro, MB Boissonault, Theodore Svenningsen, Ron Therrio, and Reginald Van Langenhove, and works from the collection of ViCA by artists such as John Baldessari, Sam Francis and Edmund Teske.
I am happy to say that I recently had two works in an art show in Chinatown in L.A., curated by my new friend Juri Koll.
As of today I have two works in this art show in Chinatown, Los Angeles, curated by Mr. Juri Koll. Do visit!
My wife Kimberly and I went to the closing event and had a blast:
(Image: Portrait of Egon Schiele by RVanLangenhove)
I’ve been influenced by so many artists that I’ve fairly lost count. I only recently remembered my very first favorite artist (because there are so many) and that was the incomparable de Toulouse-Lautrec, who might have been small in stature, but who was a grand master in craftsmanship. I paint and draw every single day and hope to one day reach the same level of excellence.
I love to work with paint straight from the tube onto the canvas, without mixing, giving my work an almost fauvist look, which is unrealistic in color, brutishly rendered and full of emotion.
I’m working towards a style of painting, which is both strong like Max Beckmann’s and at the same time graceful like El Greco’s.
Why do I paint people? Because we are so great at simultaneously being appalling and exalting, which makes for an exhaustive spectrum.
Why do I paint in oils? Because they are the most versatile. By changing techniques one can convey almost any emotion with them.
And why do I paint at all? Because I must. Because it makes my blood sing.
I started this as a straightforward copy of a Monet, whom I greatly admire, but a copy is only just that and therefore I changed it, several times, until I considered it mine own. You can see the five different stages in this picture galery: